This volume of Mingus material brings together three sessions from 1952 and 1953, all of which emphasize vocal material. The first set of arrangements leans towards a cooler side of Mingus, with careful brushwork from Al Levitt, airy alto lines from Lee Konitz, and the inclusion of a cellist. Max Roach handles the drums on the second session.
While there is no record of how the musicians felt about working with lyrics like "If you make believe with all the fine chicks/Then you're sure to get some crazy way-out kicks," presumably everyone was more enthused about "Paris in Blue," which features a relaxed and spare Jackie Paris vocal in a more distinctly Mingus-like setting. The third session runs straight down the middle, 1950s-style, neither overly cool nor anywhere near avant. Honey Gordon holds forth in a husky, Sarah Vaughan-influenced alto. She is joined by the rest of her singing family on "You and Me" and "Bebopper," a de rigeur vocal tribute to jazz hipster style.
Setlist captures 12 performances by country legend George Jones recorded live in Boston, Texas, Kentucky, and Tennessee between 1982 and 1987. All the performances are previously unreleased and include heartfelt versions of such hits as “Who's Gonna Fill Their Shoes,” “She Thinks I Still Care,” “If Drinkin' Don't Kill Me (Her Memory Will),” and “He Stopped Loving Her Today.” Recommended to both collectors and casual listeners of classic country.